I recently read a review of Jurassic World wherein the reviewer calls it the most self-loathing blockbuster ever made. After seeing the movie over the weekend, I can’t help but agree that it absolutely hates itself. The movie finds us in a world where since Jurassic Park III in 2001, the dinosaur-themed theme park has received a new owner, and has been opened to the public for several years. The staff of the theme park (Jurassic World) realise that in order to keep visitors coming, they need to create new, scarier dinosaurs periodically, using genetic engineering to keep constant positive buzz spinning around the brand. In the movie, the staff of Jurassic World have completely safeguarded the dinosaurs we all know and love, such as the Tyrannosaurus Rex and the Velociraptors, and these reptiles are introduced as nothing more than larger, more exotic zoo animals. The plot of the movie surrounds the escape of the ‘Indominous Rex’, a genetically engineered hybrid dinosaur dreamed up by the marketing department of the theme park brand, and even given its stupid name by a focus group so that it is easy to pronounce. The movie chronicles the exploits of the movies human stars in stopping the hybrid dinosaur killing everyone in sight.

The issue here is that it is obvious that the movie Jurassic World was created in exactly the same way its in-world theme park Jurassic World staff created their new dinosaur. Jurassic Park was 22 years ago, and since then there have been two sequels, showing most of what different Hollywood production teams had imagined dinosaurs could offer to the cinema-going public. In the meantime blockbusters have evolved with the ADHD generation, so much so that children would probably be bored with the pacing of the original Jurassic Park. In the modern era of Unlimited Fast and the Furious chases and 50 superheroes turning up in the latest Avengers movie, people being chased by a few dinosaurs just wasn’t going to be enough. The producers sat in a room and thought of what they could do, which led them to the idea of the hybrid Indominous Rex, an unnatural literal monster that they all agreed was the logical step in the franchise, yet they couldn’t quite accept the depths the franchise had plunged to in order to survive in the current blockbuster environment. So they made a movie about attempting to destroy this monstrous creation that they (and also their fictional protaganists) hoped would revive their flagging brand. It obviously doesn’t work in the movie, yet in the real world, the Indominus Rex did the job, as Jurassic World will be the biggest movie of the year (if we exclude Star Wars: The Force Awakens, which is released in December). The movie itself is very enjoyable, a textbook example of how to make an entertaining summer movie, yet the nagging thought that the very expensive movie you are watching hates itself is something that is worth (over)thinking about.


The simple answer is that we did this, we are the ones that force movie studios into the bigger, better, stronger, faster mould year after year. By we, I mean we the people of the internet, the people who illegally download movies off torrent sites instead of paying €10+ to see them in the theatre, and/or €5+ to watch them at home by renting it a few months after the movie has left the cinemas. Hollywood studios say they lose millions of dollars every year to illegal downloading, so it might seem counterintuitive to argue that the reason big summer movies must constantly become bigger and more expensive is that their producers are losing money. Yet this is exactly how Hollywood has responded to the threat of illegal downloading to their profits: instead of reigning in budgets and downsizing production scales, they decided to go the opposite way completely. The model currently employed by the big Hollywood studios to guarantee customers paying to see their movies is quite originally known as the Blockbuster Model. In this model, budgets sore, special effects scenes multiply, A-list actors are drawn in to feature in movies they would not have considered a decade ago, and marketing costs pretty much match the production budgets of each $150m movie. This all might still sound like a counterintuitive response to a threat on their profits, but with this increased scale, they are creating more than a movie, they are attempting to create an event, something that people in a major urban environment just can’t get away from.

The idea of a big Hollywood summer movie being an event is nothing new. Jaws, back in 1975, lays claim to being the first summer blockbuster and also the first event movie. Back in summer 1975, you just had to see Jaws, or else you weren’t on the same cultural wavelength as your peers. The difference here is that Jaws was actually good, and while some modern blockbusters may be good, this is probably a special case. In order to get us to the cinema in the summer these days, movies must create a product that will not be as good if watched at home on an illegal download, which is one of the reasons 3D has become so ubiquitous in big movies these days. Computer generated special effects, and 3D, never look as good on TV or computer, so the event that movies these days are selling us is really just an enhanced audio-visual experience. Although I must admit, I may have enjoyed a downloaded Jurassic World with Korean hardcoded subtitles just as much as I would have enjoyed the 3D spectacle in IMAX. Who knows?

So it goes with the Fast and the Furious franchise, the Transformers saga, the “computer animated movies about cute talking animals with big eyes who like hip hop” franchises, and also the multitude of megafranchises that are coming our way over the next five years. A summer movie can’t just be a standalone movie anymore, it has to be part of a bigger picture, a continuation of another event movie from a few years ago, or a franchise from a decade or two ago looking to catch its previous audience as well as the younger generation. This year so far has been the year of franchises relaunched, as Jurassic Park, Terminator, Mad Max, Star Wars and The Fantastic Four have all attempted to or are about to attempt to regain some relevance in the modern blockbuster environment. All have gone for the blockbuster method of throwing cash at the production in order to convince us that the movie is worth seeing. Some have done this better than others. Mad Max: Fury Road cost well over $150m to make, and I would be very surprised if a focus group was involved at any point in the making of that movie, and this franchise relaunch stands out for that fact.

The future of the blockbuster is more of the marketing approved Indominous Rex type blockbuster however, a genetically modified unnatural hybrid of past things that proved popular, coupled with a few focus group tested innovations thrown in just to make it relatively interesting. The problem will come when there is nothing left to relaunch however, as with Jurassic World the current phase of Hollywood recycling has already reached the mid-1990s, and I can’t think of any franchise from after then that a) is worthy of relaunch and b) hasn’t been recycled already (X-Men, Spider-Man, Batman, Superman: all of these franchises have been recycled over the past 15 years). To put it philosophically, the question is whether the Hollywood system is best represented by the ouroboros, the infinite snake deity that eats its own tail forever, or if it is best represented by the human centipede, where all the waste passed down through the system must be ejected at some stage, and something fresh must then be fed to the beast so the process of derivation should start again. At the moment, it looks like Hollywood has attached the end part of this human centipede to it’s beginning, and I think we can all visualise pretty well how entertaining that is going to be. The fact that movies like Jurassic World are now referencing the fact that they have to do this may be humorous, yet it doesn’t stop the fact they are still a large part of this never ending Hollywood system of remakes, relaunches and recycling that doesn’t look like ending any time soon.


One thought on “Remake, Recycle, Relaunch, Repeat.

  1. Oh you Hollywood… The really good worth watching movies will never stop selling in DVD format because it just feels nice to own a copy of a movie you really like and would watch again. Not these kind of movies, as you said, adapted for ADHD generation. It’s something you watch (not in my case) and forget. Doesn’t demand thinking nor analyzing nor reflecting on it nor makes you want to have a copy physically. I think that the best movies are already made decades ago, but I think that the Hollywood can create an intriguing piece of cinematography from time to time. However it appears that they aren’t really interested anymore in assimilating cinematography with arts, it’s just some more quick cash for Cadillacs and million dollar houses. Art never worked well hand in hand with commercial motives.

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